Streamline Moderne Organic architecture and other styles
1900-1906
Reactions to Art Nouveau impelled partly by moral yearnings for a
sterner and more unadorned style and in part by rationalist ideas
requiring practical justification for formal effects.
Art Nouveau had however, opened up a language of abstraction and
pointed to lessons to be learned from nature.
1905
Formation of the Dresden Die Brücke expressionist art movement.
1907
The poet Paul Scheerbart independently offers a Science fiction
image of Utopian future.
Indigenous peoples of the Americas
internet
manhattan rental
Masters of Modern Architecture
1909
The New Munich Artist's Association, Neue Künstlervereinigung
München is established by Wassily Kandinsky and others in Munich.
1910
Publication in Berlin of the journals, Der Sturm by Herwarth
Walden and Die Aktion by Franz Pfemfert as counterculture
mouthpieces against the Deutscher Werkbund.
1911
Hans Poelzig sets up practice in Breslau. Designs a water tower
for Polzen, described by Frampton as a certain Stadtkrone image, and
an office building which led to the architectural format of Eric
Mendelsohn’s later Berliner Tageblatt in 1921.
Wassily Kandinsky resigns chairmanship of the Neue
Künstlervereinigung München.
Walter Gropius and Adolf Meyer (architect) build the Fagus Factory,
Alfeld an der Leine.
Der Blaue Reiter forms and has first exhibits in Munich, and Berlin.
1912
Hans Poelzig designs a chemical plant in Luban with strongly
expressively articulated brick massing.
Wassily Kandinsky publishes Über das Geistige in der Kunst,
(Concerning the spiritual in art)
1913
Michel de Klerk starts work at the Eigen Haard Estate in
Amsterdam to be completed in 1921.
Rudolph Steiner commences work on the first Goetheanum. Work is
completed in 1919.
Mesoamerican civilization
michelangelo and renaissance architecture
Postmodern architecture
1914
Paul Scheerbart publishes Glasarchitecktur
Cologne Werkbund exhibition demonstrates idealogical split between:-
Normative form (Typisierung) - Behrens, Gropius, and,
Will to form (Kunstwollen) - Taut, Van de Welde
1915
Death of Paul Scheerbart.
1917
Michel de Klerks starts building the Het Schip housing
development for Eigen Haard in Amesterdam. Work is completed in
1921.
Bruno Taut publishes Alpine architecture.
1918
Adolf Behne expands the socio-cultural implications Scheerbarts
writings about glass.
Armistice – Republican revolution in Germany. Social Democrats form
Workers and Soldiers Councils. General strikes.
Free expression of the Amsterdam School elucidated in the Wendingen
(Changes) magazine.
November - Arbeitsrat für Kunst (Worker's Council for the Arts),
founded by Bruno Taut and Adolf Behne. They model themselves
consciously on the Soviets and attach a leftist programme to their
Utopian and Expressionist activities. They demand; 1. A spiritual
revolution to accompany the political one. 2. Architects to form
‘Corporations’ bound by ‘mutual aid’.
November - Novembergruppe formed only to merge with Arbeitsrat für
Kunst the following month. It proclaims; 1. Creation of collective
art works. 2. Mass housing. 3. The destruction of artistically
valuless monuments (This was a common reaction of the Avant Garde
against the elitist militarism that was perceived as the cause of
World War I.
December - Arbeitsrat für Kunst declares it's basic aims in Bruno
Tauts Architeckturprogramm. It calls for a new 'total work of art',
to be created with active participation of the people.
Bruno Taut publishes Die Stadtkrone.
Pre-Columbian civilizations
Real estate
Renaissance
Sci FI
The Aztecs
1919
Spring manifesto of Arbeitsrat für Kunst is published. Art for
the masses. Alliance of the arts under the wing of architecture. 50
artists, architects and patrons join lead by Bruno Taut, Walter
Gropius and Adolf Behne.
April - Eric Mendelsohn, Hannes Meyer, Bernard Hoetger, Max Taut and
Otto Bartning stage exhibition called 'An Exhibition of Unknown
Architects'. Walter Gropius writes the introduction, now considered
to be a first draft for the Bauhaus programme published later in the
month. Called for a ‘Cathedral of the Future’, to unify the creative
energy of society as in the middle ages.
Bauhaus established and begins expressionist phase, to last until
1923.
Adolf Behne publishes Ja! Stimmen des Arbeitsrates für Kunst in
Berlin (Yes! Voices from the art Soviet in Berlin).
Spartacist revolt ends the overt activities of Arbeitsrat für Kunst.
The group starts the first Utopian letter of the Glass Chain by
Bruno Taut. They are joined by previously peripheral architects;
Hans Luckhardt, Wassili Luckhardt and Hans Scharoun. The letters
demand; 1. Return to medieval integration of the building team. 2.
Irregular form. 3. Facetted form. 4. Glass monuments.
Opening of the Grosses Schauspielhaus by Hans Poelzig in Berlin.
Hanging pendentive forms create a ‘luminous dissolution of form and
space’.
Bruno Taut launches the magazine Frülicht (Early Light).
Bruno Taut and Hans Scharoun stress the creative importance of the
Freudian unconscious.
Hans Poelzig is made chairman of the Deutscher Werkbund.
Design work starts on Piet Kramers De Dageraad. Construction is
completed in 1923. Mendelsohn see it as more structural than the
work of Hendrikus Wijdeveld.
1920
February 26, the film The Cabinet of Dr. Caligari premiered at
the Marmorhaus in Berlin.
Hans Poelzig declares affinity with the Glass Chain. He designs sets
for The Golem.
Solidarity of the Glass Chain is broken. Final letter written by
Hermann Finsterlin. Hans Luckhardt recognises the incompatibility of
free unconscious form and rationalist prefabrication and moves to
Rationalism.
Taut maintains his Scheerbartian views. He publishes ‘Die Auflösung
der Städt in line with Kropotkinian anarchist socialist tendencies.
In common with the Soviets, it recommends the break up of cities and
a return to the land. He models agrarian communities and temples in
the Alps. There would be 3 separate residential communities. 1. The
enlightened. 2. Artists. 3. Children. This authoritarianism is noted
in Frampton as although socialist in intent, paradoxically
containing the seeds of the later fascism.
1921
Taut is made city architect of Magdeburg and fails to realise a
municipal exhibition hall as the harsh economic realities of the
Weimar republic become apparent and prospects of building a ‘glass
paradise’ dwindle.
Walter Gropius designs the Monument to the March Dead[2] in Weimar.
It is completed in 1922 and inspires the workers 'Gong' in the 1927
film, Metropolis by Fritz Lang.
Frülicht loses its impetus.
Eric Mendelsohn visits works of the Dutch Wendingen group and tours
the Netherlands. He meets the rationalists JJP Oud and W M Dudek. He
recognises the conflict of visionary and objective approaches to
design.
Eric Mendelsohn’s Berliner Tageblatt opens. Construction is complete
on the Einstein Tower. It combines the sculptural forms of Van de
Weldes Werkbund Exhibition theatre with the profile of Taut’s
Glashaus and the formal affinity to vernacular Dutch architecture of
Eibink and Snellerbrand and Hendrikus Wijdeveld. Einstein himself
visits and declares it ‘organic’.
Mendelsohn designs a hat factory in Luckenwalde. It shows influences
of the Dutch expressionist De Klerk, setting dramatic tall pitched
industrial forms against horizontal administrative elements. This
approach is echoed in his Leningrad textile mill of 1925 and
anticipates the banding in his department stores in Breslau,
Stuttgart, Chemnitz and Berlin from 1927 and 1931.
Hugo Häring and Ludwig Mies van der Rohe submit a competition entry
for a Friedrichstrasse office building. It reveals an organic
approach to structure and is fully made of glass.
the world wide web
Timber a structural material
Styles of Architecture
ancient india
1922
Ludwig Mies van der Rohe publishes a glass skyscraper project in
the last issue of Frülicht.
The film Nosferatu by F.W. Murnau is released.
1923
Bauhaus expressionist phase ends. Standard arguments for the
reasons for this are 1. Expressionism was difficult to build. 2.
Rampant inflation in Germany changed the climate of opinion to a
more sober one. Jencks postulates that the standard arguments are
too simplistic and instead argues that 1. Expressionism had become
associated with extreme utopianism which in turn had been
discredited by violence and bloodshed. Or 2. Architects had become
convinced that the new (rationalist) style was equally expressive
and more adequately captured the Zeitgeist. There is no large
disagreements or public pronouncements to precipitate this change in
direction. The only outwardly visible reaction was the forced
resignation of the head of the basic Bauhaus course, Johannes Itten,
to be replaced with the, then constructivist, László Moholy-Nagy.
Chilehaus in Hamburg by Fritz Höger.
Walter Gropius abandons expressionism and moves to rationalism.
Bruno and Max Taut begin work on government funded low cost housing
projects.
Berlin secession exhibition. Mies van der Rohe and Hans and Wassili
Luckhardt demonstrate a more functional and objective approach.
Rudolph Steiner designs second Goetheanum after first was destroyed
by fire in 1922. Work commences 1924 and is completed in 1928.
1924
Germany adopts the Dawes plan. Architects more inclined to
produce low-cost housing than pursue utopian ideas about glass.
Hugo Häring designs a farm complex. It uses expressive pitched roofs
contrasted with bulky tectonic elements and rounded corners.
Hugo Häring designs Prinz Albrecht Garten, residential project.
Whilst demonstrating overt expressionism he is preoccupied with
deeper inquiries into the inner source of form.
Foundation of Zehnerring group.
architecture of ancient greece
art nouveau style
brick a ceramic block
caching
chair
characteristics of art
1925
Hans Poelzig abandons expressionism and returns to
crypto-classicism.
Zehnerring group becomes Der Ring. Hugo Häring is appointed
secretary.
1926
Founding of the architectural collective Der Ring largely turns
it's back on expressionism and towards a more functionalist agenda.
1927
Anzeiger-Hochhaus, Hannover by Fritz Höger
Release of Fritz Lang's Metropolis.
Weissenhof Estate is built in Stuttgart. Expressionist architects,
Taut, Poelzig, Scharoun, build in international style.
1928
Congrès International d'Architecture Moderne (CIAM) convenes in
Switzerland. Hugo Häring fails to move consensus away from Le
Corbusiers call for rationalism towards an organic approach. Finally
the Scheerbartian vision is eclipsed as the non-normative ‘place’
orientated approach is cast aside.
1931
Completion of 'The house of Atlantis' in Böttcherstraße (Bremen).
1940's
The Berlin Philharmonic concert hall is destroyed in 1944 during
WWII.
1950's
Le Corbusier constructs Notre Dame du Haut signaling his
postmodern return to an architectural expressionism of form. He also
constructs the Unité d'Habitation, which emphasizes the
architectural expression of materials. The brutalist use of beton-brut
or reinforced concrete, recalls the expressionist use of glass,
brick, and steel.
1960’s
Expressionism reborn without the political context as Fantastic
architecture.
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